LORIN CUTTS

British UFO researcher Lorin Cutts became fascinated with the subject after his first encounter in Portugal in 1993. After returning to the UK he began to accumulate as many books on the subject as he could, and spent days photocopying every back issue of "Flying Saucer Review" at the Imperial College Library in London. On the advice of FSR editor, Gordon Creighton, Lorin began investigating some of the UK's most intriguing multiple witness sightings.  


Lorin's first major investigation was the Wash Incident from 1995, one of the UK's little known UFO gems. This case included multiple military and police witnesses, multiple radar returns, and coastguard and civilian flight witnesses. Lorin was able to obtain witness statements from the police and radio transcripts before the inevitable information embargo was enacted. By the time the usual excuses were wheeled out by the authorities in charge, Lorin was already faxing his research off to UFO magazines.  


In 1996 Lorin was lucky enough to arrive at the Julia Set crop formation opposite Stonehenge within hours of its creation. This was to have a lasting and profound effect on Lorin and he moved to that area of England the following year, where many more interesting UFO experiences ensued.  

Julia Set crop formation, 1996


Ten years later he moved to another UFO hotspot, Sonora, California, and once again he was back in the thick of the action. This provided the catalyst to spearhead him into serious UFO research and writing on the subject. In 2006 Lorin also developed tinnitus. Western medicine couldn’t provide any relief for his condition, so he turned to frequency healing as both a personal interest and as a way of alleviating the ringing in his ears. Having trained as a sound engineer this path seemed the perfect way of blending his interest in sound with his love of more esoteric subjects.  


Now based in Portland, Oregon, Lorin splits his time between music production, writing, researching UFOs and frequency healing. He has spent the last few years specializing in high strangeness UFO related reports and, more recently, lifetime "alien" abduction/contactee cases. He is currently writing two books on the  subject, "None Of The Above" and "Unearthly Child: The Brigitte Barclay Story" with foreword by Nick Pope.  


Lorin is an executive partner of the Global Radio Alliance and hosts the monthly "High Strangeness" show there. He is currently developing several TV and film projects relating to the UFO subject in the USA.

www.lorincutts.com  


Find Lorin Cutts's writing in UFO magazines and websites including: UFO Matrix Magazine, Phenomena Magazine, UN-X Magazine, UFO Reality Magazine, unknowncountry.com, eyewitnessradio.com, brigittebarclay.com and many more.

I host my HIGH STRANGENESS radio show on the Global Radio Alliance Network.

I aim to open up and invigorate the debate within ufology regarding what exactly these objects are and where they come from. Through my own research I've come to the conclusion that by ignoring high strangeness events that occur to ufo and close encounter witnesses, we could well be missing a vital part of the puzzle.

So let's not just talk about ET's and aliens - but also the synchronicities, symbology, dreams, psychic, paranormal,  spiritual and other phenomena that relate to the ufo subject.

HIGH STRANGENESS CALENDAR:

Listen at http://www.globalradioalliance.com

Thursday March 29th : Brigitte Barclay Case Update

Sunday April 16th 8pm EST : Bigfoot and the UFO Connection with Stan Gordon, 'Bigfoot' Andy Robson, Tony Hull, Kyle Osborn.

Sunday May 20th 8pm EST : UFO Fest Special with Yvonne Smith, Donald Schmitt and Tom Reed.

Sunday June 17th 8pm EST : TBA

HIGH STRANGENESS EPISODE 1: A QUESTION OF TIME, Jan 26th 2012.

http://eyewitnessradio.com/high-strangeness-1-question-time/

LISTEN / DOWNLOAD: Episode 1

A misspent youth as a singer/bass player in various punk bands from the age of 14 brought cider-fuelled dreams of rock n roll stardom. That was until an opportunity came along to move to the big smoke and work as a tape-operator and later as an engineer in a London recording studio. It was in this studio that I fell in love with the developing music technology of the day. The studio had been set up in a Camden attic by The Eurythmics to record their ‘Sweet Dreams’ LP, and it was here that I learned how to mix in the dead of night by sneakily digging out master tapes and making my own mixes of tracks.

The studio was also host to a couple of very early drum machines/toys built by legendary Kraftwerk producer Conny Plank. It seems almost dreamlike that my first exposure to electronic music making was in these amazing circumstances. I never truly appreciated how lucky I was at the time. I don’t have many regrets, but if I had one it would be turning down the chance to buy Dave Stewart’s ‘typewriter’ drum machine (the one that appears in the ‘Sweet Dreams’ video) for 50 quid. I simply didn’t have the money! During this time I worked as tape-operator/apprentice and learned how many records were made. I even appeared on a few and I'm particularly proud of making crowd noises in a supposed strip club alongside Johnny Thunders on his ‘Copy Cats’ LP.

Stints as engineer, studio manager and vocalist in various indie bands followed until in 1991 when a reluctant visit to Trade club in London showed me how the other side of the music obsessed public lived. This music was just as dark, dirty and rebellious as punk, but without all the hideous hours spent hung over in the back of a transit van on a tour of the East Midlands.

Trade became a weekly scheduled stop and using skills learned during my grueling studio experience, I was soon making tracks for legendary Trade DJs Tony de Vit and Tall Paul as well as those at brand new club-on-the-block DTPM. The following year saw the debut releases of original tracks and remixes on fledgling labels Hooj Choons, Positiva, and Jumpin’ and Pumpin’, and of course numerous obligatory white labels.

A seven year publishing deal was signed in 1994 with Polygram / London Records, but by 1996 I'd become tired of the vacuous place that the music industry and club scene had become. Disillusioned and exhausted, I moved once more and became a West Country recluse, listening to Strange Cargo albums with my sheep dogs in Somerset.

By 2004 I'd became excited by new developments in music technology, and a growing love of the breaks scene in the UK tempted me out of self-imposed exile. DJ dates followed in places as far afield as Russia, Europe, and the USA. Exposure to a barrage of amazing new music prompted the launch of music label and multi-media company - mmrmmr. Now based in Portland, Oregon, I spend my time between writing, producing and remixing music, researching UFO’s and frequency healing, and working as a freelance writer.

I'm currently working on several projects to do with frequency healing / response and incorporating this technology with my music production.

TV credits include: Top Gear, Inbetweeners, Eddie Izzard, Royal Variety Performance, MTV, BBC, ITV, Channel 4. Publishers include: Polygram, Warner Chappell, BMG, Audio Network and BBC Worldwide.


Music:

www.mmrmmr.com